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Sloan's City

John Sloan's The City from Greenwich Village
from Seeing the City Sloan's New York at the Smart Museum of Art
Title: The City from Greenwich Village, 1922
Artist: John Sloan (American 1871-1951)
Medium: Oil on Canvas
Dimensions: 26 x 33 ¾ inches
Permanent Collection: National Gallery of Art, Washington, Gift of Helen Farr Sloan 1970.1.1
Image © Board of Trustees, National Gallery of Art, Washington
Image Courtesy: Smart Museum of Art

Seeing the City: Sloan's New York
Smart Museum of Art
May 22 – September 14, 2008

John Sloan's Jefferson Market
from Seeing the City Sloan's New York at the Smart Museum of Art
Title: Jefferson Market, 1917, retouched 1922
Artist: John Sloan (American 1871-1951)
Medium: Oil on Canvas
Dimensions: 32 x 26 1/8 inches
Courtesy the Pennsylvania Academy of the Fine Arts, Philadelphia.
Henry D. Gilpin Fund 1944.10
Image Courtesy: Smart Museum of Art

Urban genre painting is synomous when one thinks of American artist John Sloan. The common everyday life in the thriving energetic city leaps from his canvases as he provided a window looking at neighborhood life.

In his early twenties he worked as a newspaper illustrator in Philadelphia. In 1904 he moved to New York City. Robert Henri was a strong influence on him.

American artist and art teacher Robert Henri believed in painting from life, not theory. He wanted his works to be as "as simple and sincere as is humanly possible."

John Sloan's Spring Rain
from Seeing the City Sloan's New York at the Smart Museum of Art
Title: Spring Rain, 1912
Artist: John Sloan (American 1871-1951)
Medium: Oil on Canvas
Dimensions: 20 ¼ x 26 inches
Permanent Collection: Delaware Art Museum,
Gift of the John Sloan Memorial Foundation, 1986 (1986-107)
Image Courtesy: Smart Museum of Art

The National Academy of Design rejected works by Sloan, along with William J. Glackens, George Luks for it's 1907 exhibition. Henri withdrew his works in protest. Out of this a group decided to exhibit together, echoing the Parisian Salon des Refuges. The only difference was the Eight, as they were known, had a successful exhibition. It was the Eight's only group show first exhibited at the Macbeth Gallery in New York City and then it traveled for about a year bringing attention to the group and their beliefs.

Everyday lower class New York City life intrigued Sloan and this was what he liked to paint. He loathed his work to be used for "socialist propaganda".

The Smart Museum of Art hosts Seeing the City: Sloan's New York looks at this early 20th Century realist artist.


Seeing the City
Sloan's New York
Smart Museum of Art:
May 22 – September 14, 2008

Smart Museum of Art

smartmuseum.uchicago.edu

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