Women Impressionists
Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemond
Schirn Kunsthalle Frankfurt
February 22 – June 1, 2008
Title: Les Lilas à Maurecourt, 1874
Artist: Berthe Morisot (French 1841-1895)
Medium: Oil on Canvas
Dimensions: 50 x 61 cm
Private Collection
Image Courtesy: Schirn Kunsthalle Frankfurt
Claude Monet, Camille Pissarro, Edouard Manet, Edgar Degas, Paul Cézanne and Alfred Sisley were
all impressionist artists. They weren't the only ones. Unfortunately when we think of the Impressionists
artists we often think of the male artists. So doing overlooks the contributions of Berthe Morisot,
Mary Cassatt, Eva Gonzalès and Marie Bracquemond to this important time in the development of contemporary art.
Berthe Morisot
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Title: Jonquilles / Daffodils, 1885
Artist: Berthe Morisot (French 1841-1895)
Medium: Oil on Canvas
Dimensions: 45 x 36 cm
Private Collection
Image Courtesy: Schirn Kunsthalle Frankfurt
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Berthe Morisot is the only French woman most closely associated with Impressionism. Thanks largely to her
friendship with Édouard Manet many assume he helped her. Their relationship was symbiotic. Eventually she married Manet's brother Eugène.
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Corot introduced Morisot to the idea of painting outside and she was the one that largely influenced Manet to
work en plein air.
Mary Cassatt
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American Mary Cassatt favored capturing the unique bond between mother and children in her work. Her friendship
with Edgar Degas led to her meeting and exhibiting with the other Impressionists.
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Title: Woman in a Red Bodice and her Child, c. 1901
Artist: Mary Cassatt (American 1844-1926)
Medium: Oil on Canvas
Dimensions: 68.6 x 51.5 cm
Permanent Collection: Brooklyn Museum of Art, New York, USA
Image Courtesy: Schirn Kunsthalle Frankfurt
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Cassatt hailed from Allegheny City which is now part of Pittsburgh. She was distantly related to Robert
Henri.
Title: Two Sisters, 1896
Artist: Mary Cassatt (American 1844-1926)
Medium: Pastel
Dimensions: 37.4 x 53.5 cm
Private Collection: courtesy of D. Nisinson Fine Art
Image Courtesy: Schirn Kunsthalle Frankfurt
Cassatt had found some success exhibiting at the Parisian Salon. In 1877 all of her submitted works were
refused prohibiting her from inclusion in the prestigious show. It was a great shock to her. Degas arranged
for her to exhibit with the impressionists, a group who had found the Salon not accepting of their style.
Eva Gonzalès
Title: Au Bord de l'eau / By Water, 1871-1872
Artist: Eva Gonzales (French 1849-1883)
Medium: Oil on Canvas
Dimensions: 30.9 x 35.7 cm
Permanent Collection: Belvedere, Wien (Vienna)
Image Courtesy: Schirn Kunsthalle Frankfurt
Eva Gonzalèz was the daughter of noted French writer Emmanuel Gonzalèz. Eva was a student of and model for
Édouard Manet. Art and creativity were part of her life virtually from birth. Her mother was a successful
musician. The Gonzalèz salon was a haven for writers such as Philippe Jourde and Théodore de Banville.
Title: Un Loge aux Italiens/ An Italian Lodge, c. 1874
Artist: Eva Gonzalèz (French 1849-1883)
Medium: Oil on Canvas
Dimensions: 98 x 130 cm
Permanent Collection: bpk / RMN / Musée d’Orsay / Hervé Lewandowski
Image Courtesy: Schirn Kunsthalle Frankfurt
Like Manet, Eva Gonzalèz never actually exhibited any works with the Impressionists. Through her style she
is considered to be an Impressionist artist.
Marie Bracquemond
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Title: Le Gouter/ Afternoon Tea, 1880
Artist: Marie Bracquemond (French 1840-1916)
Medium: Oil on Canvas
Dimensions: 81.5 x 61.5 cm
Permanent Collection: bpk / RMN / Musée d’Orsay / Bulloz
Image Courtesy: Schirn Kunsthalle Frankfurt
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It was Claude Monet who has a strong influence on Marie Bracquemond. Born Marie Quiveron she
married Felix Bracquemond who himself was an artist. Unfortunately he was unsympathetic
and jealous of his wife's talent.
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Marie Bracquemond often selected her own garden as subject matter. She has been described as
one of the three great ladies of Impressionist along with the better known Cassatt and Morisot.
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Her husband's studied and constant criticism led her to eventually abandon her artistic career; by 1890 she
ceased painting all together. Particularly galling was the idioms to which Felix so objected: en plein
air painting and loose techniques. These were hallmarks of Impressionism. Felix Bracquemond
exhibited with the adherts of these ideals, three times, in the Impressionist exhibitions of 1879, 1880 and 1886.
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Title: Femme a L'Ombrelle/ Woman with her Parasol, 1880
Artist: Marie Bracquemond (French 1840-1916)
Medium: Watercolor
Dimensions: 35.5 x 25.5 cm
Private Collection
Image Courtesy: Schirn Kunsthalle Frankfurt
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Frankfurt's Schirn Kunsthalle acknowledged and honors the contributions of the female impressionists
with this exhibit showcasing the works of Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemond.
Women Impressionists
Berthe Morisot, Mary Cassatt, Eva Gonzalès, Marie Bracquemond
Schirn Kunsthalle Frankfurt:
February 22 – June 1, 2008
Fine Arts Museums of San Francisco:
June 21 - September 21 2008.
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