Victoria & Albert Museum, London England

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London's V&A

Woodland Scene with Pond and Cattle, by Thomas Gainsborough
Title: Woodland Scene with Pond and Cattle, 18th Century
Artist: Thomas Gainsborough (English 1727-1788)
Image Courtesy & ©: Victoria and Albert Museum

Gainsborough, Constable, brilliant designed Rooms, silver, textiles and Leonardo da Vinci. Spectacular exhibits all in their own right, they are together. Add to that the Italian Renaissance and a look at Sixties fashion. These are all reasons to make sure to spend time at London's dazzling Victoria & Albert Museum.

Leonardo da Vinci: Experience, Experiment and Design: September 14, 2006 - January 7, 2007

Determining the Volume of Regular and Irregular Solids, Leonardo da Vinci
Title: Determining the Volume of Regular and Irregular Solids, c1505.
Artist: Leonardo da Vinci (Italian 1452-1519)
Image Courtesy & ©: Victoria and Albert Museum

The mind of a genius is explored in Leonardo da Vinci: Experience, Experiment and Design. It includes 60 examples of his drawings and notebooks, all drawn from British collections. His writings will be brought to life with several large-scale models of da Vinci's designs and computer animations illustrating his vision.

Head of a Man, Leonardo da Vinci
Title: Head of a man with long wavy hair and a long beard, in profile to the left.
Below, the words 'Leonardo Vinci'.

Artist: Leonardo da Vinci (Italian 1452-1519)
Medium: Red Chalk on White Paper
Dimensions: 27.5 x 19 cm
Royal Collection © 2006 Her Majesty Queen Elizabeth II.
Image Courtesy: Victoria and Albert Museum

The exhibition curator, Professor Martin Kemp, said: “Leonardo da Vinci's manuscripts reveal to us his thought processes. They have no parallel in any period and anyone wanting to understand the workings of Leonardo's mind should turn to these notebooks. The notebooks question everything and investigate every aspect of nature. Unlike other artists of the period Leonardo used his notebooks not as workings for finished paintings but as a vehicle to understand the world around him.”

At Home in Renaissance Italy: October 5, 2006-January 7, 2006

The interior decor of Renaissance Italy is a unique exhibit looking at its critical role in the development of Italian art and collection. The three-dimensional view presents rooms as lived-in, object-filled spaces designed to truly bring the Renaissance to life.

St Jerome in his Study by Antonello da Messina
Title: St. Jerome in his Study, (c. 1475)
Artist: Antonello da Messina (Italian 1430-1479)
© The National Gallery, London
Image Courtesy: Victoria and Albert Museum

The exhibition includes masterpieces by Donatello, Carpaccio, Botticelli, Titian and Veronese, along with and treasures from the Medici and other private collections. These will be found next to day-to-day items.

Sister Playing Chess by Sofonisba Anguissola
Title: Sisters Playing Chess, (1555)
Artist: Sofonisba Anguissola (Italian 1532-1625)
© Muzeum Narodowe, Poznan, The Raczynski Foundation
Image Courtesy & ©: Victoria and Albert Museum

At Home in Renaissance Italy will focus on the main rooms – the sala (reception room), camera (bedroom) and scrittoio (study) that were indicative of a wealthy owner who could afford decorative items to fill his beautiful home.

Birth of the Virgin by Vittore Carpaccio
Title: Birth of the Virgin, (c. 1504-8)
Artist: Vittore Carpaccio (Italian 1455-1525)
Accademia Carrara, Bergamo © Scala
Image Courtesy: Victoria and Albert Museum

Marta Ajmar-Wollheim, co-curator of the exhibition, said, “This exhibition highlights for the first time the central role the domestic interior played in Italian Renaissance art and culture. It shows that the Renaissance was not only the product of the city, court and church – emphasizing instead the crucial contribution of the homes of the merchants and professional middle classes.”

Flora Dennis, co-curator of the exhibition, added, “Many of the fine art objects we now associate with the Renaissance began their lives within a domestic setting. The aim of this exhibition is to place these beautiful items within their original context and look afresh at the Renaissance through the prism of household life and everyday objects.”

History of the V&A

Aerieal View of Victoria and Albert Museum from South Kensington
Title: Aerial View of the Victoria and Albert Museum, South Kensington
Image Courtesy & ©: Victoria and Albert Museum

Following the Great Exhibition of the Works of Industry of all Nations, held in London in 1851 in the Crystal Palace at Hyde Park, the impetus for the creation of a permanent home to showcase the best of British industry & art was needed. First the Museum of Ornamental Art, in Marlborough House, was formed in 1852. Its goal was to to make works of art available to all, to educate, and to inspire British designers. The collection quickly outgrew its home and in 1899 Queen Victoria laid the cornerstone for what became the Victoria & Albert museum. It was subsequently named to honor the work done by Prince Albert allowing its creation.

Sixties Fashion: through February 25, 2007

Model wearing Mary Quant with the Rolling Stone; photographer John French
Title: Model wearing Mary Quant dress with the Rolling Stones
Photographer: John French
Image Courtesy & ©: Victoria and Albert Museum

There is still time to view Sixties Fashion. The swinging sixties, the time of the British invasion across the pond featured not only the music of the Beatles, the Rolling Stone, and other noted artists but fashion as well. Fashion designers such as Mary Quant became just as famous as the British musicians.

The Collection
The V&A is home to an international collection of paintings, sculpture, prints, ceramics, glass, textiles, dress, silver, ironwork, jewelry, furniture  and photographs spanning the cultures and ages.

In a Shoreham Garden by Samuel Palmer
Title: In A Shoreham Garden, c. 1830
Artist: Samuel Palmer (English 1805-1891)
Image Courtesy & ©: Victoria and Albert Museum

Paintings Gallery: John Constable

Water Meadows near Salisbury by John Constable
Title: Water Meadows Near Salisbury, 1829
Artist: John Constable (1776-1837)
Image Courtesy & ©: Victoria and Albert Museum

Study o the Turnk of an Elm Tree by John Constable
Title: Study of the Trunk of an Elm Tree, 1821
Artist: John Constable (1776-1837)
Image Courtesy & ©: Victoria and Albert Museum

The V&A has the largest collection of John Constable paintings in the world. His daughter Isabel gave her collection of her father's work to the V&A, which included 390 paintings and drawings in various media such as oil, watercolor, pen and pencil.

British Galleries: 1500-1900

Norfolk House Music Room from the British Galleries, Victoria & Albert Museum
Title: Norfolk House Music Room from the British Galleries, 1756.
Image Courtesy & ©: Victoria and Albert Museum

One of the highlights of walking through the V&A is the opportunity to visit the British Galleries which showcase the most comprehensive collection of British art and design available anywhere. Highlights include Henry VIII's writing desk and James II's wedding suit.

State Bed from Melville House at the Victoria and Albert Museum
Title: State Bed from Melville House C. 1700.
Image Courtesy & ©: Victoria and Albert Museum

Portrait of an Unknown Man by Hans Holbein the Younger
Title: Portrait of an Unknown Man, 1530s
Artist: Hans Holbein the Younger (German 1497-1543)
Medium: Oil on Oak Panel
Image Courtesy & ©: Victoria and Albert Museum

Medieval and Renaissance Collection

Beckett Casket
Title: Casket for the relics of St Thomas Becket, France, about 1180
Medium: Gilt, Copper and Champleve on a Wooden Core
Image Courtesy & ©: Victoria and Albert Museum

The 12th-century casket for the remains of Thomas Becket and the notebooks of Leonardo da Vinci are some of the artifacts in the V&A's collection from the medieval and Renaissance timeframe.

Furniture & Furnishings

Detail of the Board and Bear Hunt from the Devonshire Hunting Tapestry
Title: Detail of The Boar and Bear Hunt, Devonshire Hunting Tapestry
South Netherlands, About 1440
Medium: Woven in Wool
Image Courtesy & ©: Victoria and Albert Museum

One of the medieval tapestries in the collection is the Devonshire Hunting Tapestry, which is a series of tapestries that depict typical court activities of its time such as hunting.

Silver Galleries

Pair of Gauntlets
Title: Pair of Gauntlets, Spanish. c. 1614.
Medium: Decorated with Silver and Blue Gilding, Red Silk, Gold and Silver Thread.
Image Courtesy & ©: Victoria and Albert Museum

Ewer, Spanish, Silver
Title: Ewer, Spanish (possibly Toledo). c.1530.
Medium: Silver.
Image Courtesy & ©: Victoria and Albert Museum

Currently there are over 10,000 silver objects in the V&A silver collection. Just two of the fabulous items in this portion of the V&A's holdings are a salver that Sir Robert Walpole commissioned in 1728 to commemorate his time as the Chancellor of the Exchequer and a large soup tureen presented along with a dinner service to the Duke of Wellington from the Portuguese government.

Jewelry Sections Reopens March 2008

Floral Necklace
Title: Floral Necklace
Image Courtesy & ©: Victoria and Albert Museum

One of the finest jewelry collections in the world is found at the V&A. Currently that section is closed but will reopen in March of 2008. It is worth the trip alone to see the spectacular gems & jewelry.

Emerald and Diamond Necklace and Earrings
Title: Emerald Necklace and Earrings
Image Courtesy & ©: Victoria and Albert Museum

The Victoria & Albert Museum has one of the finest decorative art collections in the world. Leonardo da Vinci: Experience, Experiment and Design along with At Home in Renaissance Italy are two additional reasons to visit or re-visit London's V&A.


Sixties Fashion:
through February 25, 2007
Leonardo da Vinci: Experience, Experiment and Design
September 14, 2006 - January 7, 2007
At Home in Renaissance Italy
October 5, 2006 - January 7, 2007
V&A Museum, London:

V&A Museum, London

vam.ac.uk

© 2006 International Art Treasures Web Magazine, All Rights Reserved.