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Dürer, Rembrandt and Picasso
Title: The Angel Appearing to the Shepherds, 1634
Artist: Rembrandt van Rijn (Dutch 1606-1669)
Medium: Etching, Engraving and Drypoint
Permanent Collection and Image Courtesy: The Detroit Institute of Arts.
Big Three in Printmaking
Detroit Institute of Arts
September 13 - December 31, 2006
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Title: Model and Back of Large Sculpture, 1933
Artist: Pablo Picasso (Spanish 1881-1973)
Medium: Etching and Aquatint.
Permanent Collection and Image Courtesy: The Detroit Institute of Arts.
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Dürer, Rembrandt, Picasso. The three names have an incredible cachet in the international world of art. Each one reached
the pinnacle of achievement within the mediums of his time.
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Albrect Dürer
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The phrase 'Germany's greatest artist' is often used to describe Albrecht Dürer. Germany led the world in print making during Dürer's time.
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Title: Adam and Eve, 1504
Artist: Albrecht Dürer (German 1471-1528)
Medium: Engraving
Permanent Collection and Image Courtesy: The Detroit Institute of Arts.
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Title: The Small Horse, 1505
Artist: Albrecht Dürer (German 1471-1528)
Medium: Engraving
Permanent Collection and Image Courtesy: The Detroit Institute of Arts.
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Dürer's print making brought him fame well outside his homeland during his life time.
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Dürer is considered to be the first artist who used print making as an art form in and of itself. The artist believed in accuracy in his works, the abstract was well beyond
his time and not in his nature. He applied the same philosophy to his printmaking.
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Title: The Promenade, c. 1498
Artist: Albrecht Dürer (German 1471-1528)
Medium: Engraving
Permanent Collection and Image Courtesty: The Detroit Institute of Arts.
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Rembrandt van Rijn
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Title: Descent from the Cross by Torchlight, 1654
Artist: Rembrandt van Rijn (Dutch 1606-1669)
Medium: Etching and Drypoint
Permanent Collection and Image Courtesy: The Detroit Institute of Arts.
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The master of the Night Watch didn't achieve his international fame for his paintings during his lifestyle. That might sound strange but during
the 17th Century his paintings could only be viewed by standing before them.
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Rembrandt understood that printmaking required a gentle touch of a draftsman.
This was a new approach to the medium.
Rembrandt often combined drypoint and etching on a single plate limiting the number of prints that were possible before the quality nosedived. The perfectionist
did his own printmaking not using a professional unlike most others of his time.
Pablo Picasso
The Spanish artist Pablo Picasso was the preeminent printmaker of the 20th Century. During his lifetime he created more than 1,000 prints these included etchings, engravings, woodcuts and lithographs.
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Title: Torso of a Woman (The Egyptian), 1953
Artist: Pablo Picasso (Spanish 1881-1973)
Medium: Aquatint
Permanent Collection and Image Courtesy: The Detroit Institute of Arts.
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Picasso spent much of his life in France and he is widely credited with making that country a leader in print making
during his lifetime. It wouldn't be Picasso if it wasn't unique. As he
added his own persona to his ceramics he did the same with his prints. He was an accomplished
graphic artist who studied with known printing geniuses including
Roger Lacouriere, Eugene Delatre and Louis Forn.
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In 1959 Pablo Picasso invented the one-block technique of linocut printing which allowed him to create richly colored works on paper.
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Title: Floral Hat, 1963
Artist: Pablo Picasso (Spanish 1881-1973)
Medium: Color Linoleum Cut
Permanent Collection and Image Courtesy: The Detroit Institute of Arts.
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Picasso, Rembrandt and Dürer all were creative in their mediums and all were master printmakers.
Durer, Rembrandt, Picasso
Big Three in Printmaking
Detroit Institute of Arts:
September 13 - December 31, 2006
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