The Degas Debate
The July 2004 edition of IATWM contained a feature article on
Degas in Bronze, an exhibition currently touring the United States.
In the article IATWM points out that the sculptures were cast after the
death of Degas.
In his later years the artist was nearly completely blind and created
many wax impressions. 73 in all, that shortly after his death were cast in
bronze. There are only four sets of these sculptures that were allowed to be
produced by the heirs of the Degas estate.
Should these bronze works be identified as that of Degas while they were
cast posthumously?
Our answer is yes!
The bronze are not replicas but taken from molds created by Degas during
his lifetime. A painstaking process was undertaken to create the work
without destroying the original mold or adding to the mold. Some of the
items that Degas added to the sculptures were reflected in the recreations,
such as the tulle skirt, and hair on the famous Little Dancer, Aged
Fourteen. If these additions were neglected from the finished product they would not be as Degas had envisioned them and created
himself. Little Dancer, Aged Fourteen is the only sculpture Degas
ever exhibited in his lifetime. It is not believed that he ever did the bronze
casting himself, yet that work was credited to him
during its exhibition.
The majority of artists rarely do their own bronze casting.
Does that mean
the actual credit for the creative design is meaningless compared to the
factory worker or artisan who cast the work in bronze?
To identify these works as anything other than Degas would be wrong. It
would be equally incorrect to identify them as cast during the artist's
lifetime. They were not, as the article points out and even notes the actual
artist who cast the sculptures in bronze. This artist was not responsible
for the creative design so he cannot be credited with it. That belongs to
Degas.
Denying the artist responsible for their creation, in our opinion, would be a
disservice to their genius.
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