Hans Holbein: International Art Treasures Web Magazine October 2003

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Hans Holbein

Famous as the court painter of Henry VIII, Hans Holbein, the Younger, is the subject of an exhibition currently on display at the Mauritshuis in the Hague from August 15, 2003 through to November 16, 2003.

The Mauritshuis is the only Dutch Museum that owns Holbein works and it is thrilled to be the host of this exhibition. Hans Holbein (1497/8-1543) has been amassed from Berlin, Braunschweig, Florence, Frankfurt, London, New York, Washington and Vienna collections.

Of particular emphasis in Hans Holbein (1497/8-1543) is the Holbein drawing collection owned by Queen Elizabeth usually kept at Windsor Castle. The Mauritshuis selected sixteen of these works - usually drawn by Holbein prior to his painting the portrait. Five drawings are accompanied with their paintings. Holbein painted Henry VIII, his wives, potential wives, and children. His works portrayed important people in the Tudor court including Ambassadors and merchants.


Title: Jane Seymour (Drawing)
Artist: Hans Holbein (Dutch c. 1497-1543)
Image Courtesy © 2003, Mauritshuis Den Haag


Title:Jane Seymour (Painting)
Artist: Hans Holbein (Dutch c. 1497-1543)
Image Courtesy © 2003, Mauritshuis Den Haag

Holbein was born in Augsburg, Germany, the second son of Hans Holbein the Elder. Both brothers learned their craft in their father's studio. Hans apprenticed in Basel. Before he was twenty, Holbein the Younger painted his first major commission, the  Mayor of Basel. He was acquainted with and painted the Dutch philosopher and intellectual Erasmus.

His artwork included not only paintings but also designs for book illustrations, stained-glass windows, altarpieces, murals and frescos. Unfortunately many of these early works were destroyed in the Swiss Iconoclastic Fury of February 1529, thus Holbein is most recognized as a portrait painter. Holbein drew on the portrait work of Jean Clouet and the Italian masters. Clouet was known as a splendid portraitist and he served as court painter to the French King Francis I.

Left: Title: The Darmstadt Madonna, 1526/29, Artist: Hans Holbein (Dutch c. 1497-1543)
Medium: oil on wood
Dimensions: 146.5 x 102 cm.
Image Courtesy © 2003, Mauritshuis Den Haag

Hans Holbein certainly developed his own individual manner of capturing the character of his subject.

Holbein traveled to England and had a letter of introduction from his friend Erasmus which was marked in it's honesty. 'The season here is a poor one for the arts; he is going to England to scrape some money together,'. Holbein sought out Sir Thomas More knowing that at that time More was a powerful man in Henry Tudor's royal court. Holbein left England for a brief period but returned in 1532 and remained their until his death eleven years later. It was in 1536 that Holbein officially was appointed Henry VIII's court painter.


Title: Erasmus, 1523
Artist: Hans Holbein (Dutch c. 1497-1543)
Medium: oil on wood, Dimensions: 43 x 33 cm.
Image Courtesy © 2003, Mauritshuis Den Haag

Viewing the work of Holbein we can see how his incredible talent for developing beyond the portrait and into the depth of character of the sitter is what made him unique in his field. His portraits were notoriously realistic with perhaps the most infamous exception being than of Anne of Cleves, fourth wife of Henry VIII. Holbein's portrait was flattering, however, Henry when first viewing Anne upon her arrival to England proclaimed her "Flander's Mare" describing Henry's unappreciative view of Anne's appearance. Henry did marry Anne but the marriage was quickly annulled and she along with Catherine Parr were the only two of Henry's wives to survive him.

Despite Henry's disdain for Anne actual appearance in Holbein's work, Holbein is considered one of the greatest artists ever.

In addition to the two unique works in the Mauritshuis, about 20 paintings, 3 miniatures and 20 drawings will be on display for the Hans Holbein (1497/8-1543) exhibition.

The exhibition is made possible by the generous support of Rabobank, Unilever.

The Mauritshuis

The Mauritshuis was built between 1634 and 1644 for Johan Maurits van Nassau-Siegen (1604-1679) a famous general and one time Governor-General for the Dutch West India Company in Brazil. Jacob van Campen designed the building based on the Dutch classicist style. The exterior is relatively unchanged. The interior, however, was destroyed in 1704 and rebuilt.

Giovanni Antonio Pellegrini, the famous Venetian decorative artist painted the ceiling and wall of the new Banqueting Hall, known as the Golden Room, in 1718. Pellegrini was known for his graceful decorations and was a popular artist across Europe in his time.

It wasn't until 1822 that the Mauritshuis housed paintings.

Gallery Prince Willem V

Among the famous works amassed by Willem V and on display in the gallery named for him include Peter Paul Rubens' Adam and Eve in Paradise; and Paulus Potter's Bull.

Willem V (1748-1806) was a great collector preferring  Dutch 17th-century paintings and was primarily interested in landscapes and lavish still-life. In 1795 the collection was seized by the French and displayed in the Louvre until approximately 1815 when most of the paintings were returned to The Netherlands and King Willem I donated them to the State.

Willem I presented several outstanding works that are still on display. Vermeer's The View of Delft; Rembrandt's Anatomy Lesson of Dr. Nicolaes Tulp; and Rogier van der Weyden's Lamentation of Christ are among many other works that he donated.

The Mauritshuis recently acquired Rembrandt's Portrait of an Old Man.

The Royal Cabinet of Paintings Mauritshuis is located in the Center of the Hague at the corner of the Hofvijver directly adjacent to the government buildings at Korte Vijverberg 8 2501 CM The Hague.

Mauritshuis

www.mauritshuis.nl

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