Hans Holbein
Famous as the court painter of Henry VIII, Hans Holbein, the Younger,
is the subject of an exhibition currently on display at the Mauritshuis
in the Hague from August 15, 2003 through to November 16, 2003.
The Mauritshuis is the only Dutch Museum that owns Holbein works and
it is thrilled to be the host of this exhibition. Hans Holbein
(1497/8-1543) has been amassed from Berlin, Braunschweig, Florence,
Frankfurt, London, New York, Washington and Vienna collections.
Of particular emphasis in Hans Holbein (1497/8-1543)
is the Holbein drawing collection owned by Queen Elizabeth usually kept
at Windsor Castle. The Mauritshuis selected sixteen of these works -
usually drawn by Holbein prior to his painting the portrait. Five drawings
are accompanied with their paintings. Holbein painted Henry VIII, his
wives, potential wives, and children. His works portrayed important
people in the Tudor court including Ambassadors and merchants.
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Title: Jane Seymour (Drawing)
Artist: Hans Holbein (Dutch c. 1497-1543)
Image Courtesy © 2003, Mauritshuis Den Haag
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Title:Jane Seymour (Painting)
Artist: Hans Holbein (Dutch c. 1497-1543)
Image Courtesy © 2003, Mauritshuis Den Haag
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Holbein was born in Augsburg, Germany, the second son of Hans Holbein
the Elder. Both brothers learned their craft in their father's studio.
Hans apprenticed in Basel. Before he was twenty, Holbein the Younger
painted his first major commission, the Mayor of Basel. He was
acquainted with and painted the Dutch philosopher and intellectual Erasmus.
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His artwork included not only paintings but also designs for
book illustrations, stained-glass windows, altarpieces, murals
and frescos. Unfortunately many of these early works were destroyed
in the Swiss Iconoclastic Fury of February 1529, thus Holbein is
most recognized as a portrait painter. Holbein drew on the portrait
work of Jean Clouet and the Italian masters. Clouet was known
as a splendid portraitist and he served as court painter to the
French King Francis I.
Left: Title: The Darmstadt Madonna, 1526/29,
Artist: Hans Holbein (Dutch c. 1497-1543)
Medium: oil on wood
Dimensions: 146.5 x 102 cm.
Image Courtesy © 2003, Mauritshuis Den Haag
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Hans Holbein certainly developed his own individual manner of capturing
the character of his subject.
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Holbein traveled to England and had a letter of introduction from
his friend Erasmus which was marked in it's honesty. 'The season
here is a poor one for the arts; he is going to England to scrape
some money together,'. Holbein sought out Sir Thomas More knowing
that at that time More was a powerful man in Henry Tudor's royal
court. Holbein left England for a brief period but returned in 1532
and remained their until his death eleven years later. It was in
1536 that Holbein officially was appointed Henry VIII's court painter.
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Title: Erasmus, 1523
Artist: Hans Holbein (Dutch c. 1497-1543)
Medium: oil on wood,
Dimensions: 43 x 33 cm.
Image Courtesy © 2003, Mauritshuis Den Haag
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Viewing the work of Holbein we can see how his incredible talent for
developing beyond the portrait and into the depth of character of the
sitter is what made him unique in his field. His portraits were notoriously
realistic with perhaps the most infamous exception being than of Anne of
Cleves, fourth wife of Henry VIII. Holbein's portrait was flattering,
however, Henry when first viewing Anne upon her arrival to England proclaimed
her "Flander's Mare" describing Henry's unappreciative view
of Anne's appearance. Henry did marry Anne but the marriage was quickly
annulled and she along with Catherine Parr were the only two of Henry's
wives to survive him.
Despite Henry's disdain for Anne actual appearance in Holbein's work,
Holbein is considered one of the greatest artists ever.
In addition to the two unique works in the Mauritshuis, about 20 paintings,
3 miniatures and 20 drawings will be on display for the Hans Holbein
(1497/8-1543) exhibition.
The exhibition is made possible by the generous support of Rabobank,
Unilever.
The Mauritshuis
The Mauritshuis was built between 1634 and 1644 for Johan Maurits van
Nassau-Siegen (1604-1679) a famous general and one time Governor-General
for the Dutch West India Company in Brazil. Jacob van Campen designed
the building based on the Dutch classicist style. The exterior is relatively
unchanged. The interior, however, was destroyed in 1704 and rebuilt.
Giovanni Antonio Pellegrini, the famous Venetian decorative artist
painted the ceiling and wall of the new Banqueting Hall, known as the
Golden Room, in 1718. Pellegrini was known for his graceful decorations
and was a popular artist across Europe in his time.
It wasn't until 1822 that the Mauritshuis housed paintings.
Gallery Prince Willem V
Among the famous works amassed by Willem V and on display in the gallery
named for him include Peter Paul Rubens' Adam and Eve in Paradise;
and Paulus Potter's Bull.
Willem V (1748-1806) was a great collector preferring Dutch 17th-century
paintings and was primarily interested in landscapes and lavish still-life.
In 1795 the collection was seized by the French and displayed in the
Louvre until approximately 1815 when most of the paintings were returned
to The Netherlands and King Willem I donated them to the State.
Willem I presented several outstanding works that are still on display.
Vermeer's The View of Delft; Rembrandt's Anatomy Lesson of
Dr. Nicolaes Tulp; and Rogier van der Weyden's Lamentation of
Christ are among many other works that he donated.
The Mauritshuis recently acquired Rembrandt's Portrait of an Old
Man.
The Royal Cabinet of Paintings Mauritshuis is located in the Center
of the Hague at the corner of the Hofvijver directly adjacent to the
government buildings at Korte Vijverberg 8 2501 CM The Hague.
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