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Thus Far, an exhibition featuring mixed media, oil on
board, acrylic on board and canvas by Clay Mullen, Paul Gilroy and featuring
Andrew Wong was the final exhibition at Three Fishes Designs and Gallery
before the Gallery closed for renovations in August.
Originally the gallery grew out of two successful one-week shows. Paul
Gilroy, the owner of the gallery, decided to create a permanent gallery
space and chose a location in the area of Toronto known as Riverdale.
Three Fishes Designs and Gallery opened in November of 2002, describing
itself as “a slightly different kind of art space.” Each artist brought
a different element and style to the Thus Far exhibition
which reflected their individual talents and influences.
Paul Gilroy
As Paul explains, the name Three Fishes comes from his mother and father's
family crests. On the Gilroy family crest there are three dolphins and
on his mother's family crest there are three salmon. “Three Fishes was
a good fit and it sounds kind of funky and off-beat.” It's Paul's way
of indirectly naming the gallery after himself and explains one of his
key pieces in Thus Far.
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Title: My Ancestor's Face
Artist: Paul Gilroy
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My Ancestor's Face is a large round wooden face but the
work is not symmetrical. Paul enjoys working with mixed media, but
still creates traditional woodwork such as tables and benches and
what he describes as funky woodworking whereby Paul builds his own
surfaces including boxes and paints on them.
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Recent influences on Paul include the Eastern religions Buddhism, Taoism
and Animism. Paul includes Chinese script in the piece but adds “I've
painted some Chinese characters that are ancient Chinese, they are not
modern Chinese script … that go back to the times of Taoism.” Care and
Hope are two of the words painted on the piece. “Right now to me those
are two very important things you have, to hope, and you can't exist without
hope. You have to care and have compassion, and not for yourself so
much as for other people and that's why I have those two things painted
on there.”
A lengthy explanation is provided for one key inclusion in My Ancestor's
Face. Paul explains ”I also have a bunch of [papers that] Andrew
[Wong] refers to as "Dead People Papers"…Some Chinese people use these
papers and you can buy them in China town and you burn them as offerings
to various Gods and Deities and they are for their old relatives, their
old relations … that have passed away and I wanted to put that in this
canvas. Some people would say perhaps that it's a bit ghoulish … some
[people] are actually insulted, some of them are afraid of those things
because they're afraid that the spirits of those dead people will be
present but I don't buy into of that. I don't think there is anything
to be afraid of and if you're afraid of people that are dead or have
passed [on] then you have issues that you need to deal with yourself
so I don't see it that way.”
Paul discussed some of the other influences and media that he favors.
“I have some pieces with Japanese paper swans taking flight and some
other things. I like working with Japanese papers it's very colorful
and its fun--a kind of a medium I like a lot.” However, there are other
pieces that have importance to Paul featured in Thus Far.
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“The other thing I have that is probably most important to me--I
have a series of four boxes; four little wooden boxes like chalkboards
and I have very simply--not tremendously complicated or anything
like that, but all I have on it is 'I will not hate'. And I sort
of have had that idea bouncing around in my head for a long time.”
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Artist: Paul Gilroy
Title: What Bart Should Have Wrote
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Paul is not an avid television watcher but his inspiration for the
words 'I will not hate' emerged from the opening credits of the animated
television show The Simpsons. Paul explains “I don't watch television
a lot, but one of the things that that happens on the Simpsons is [the
adolescent character] Bart is always writing on the chalkboard you know
'I will not throw spitballs' 'I will not make paper airplanes' and then
it occurred to me that one of the things that would be good to be on
there for people to see would perhaps [be] if Bart was to write 'I will
not hate'. You know that hate causes a great deal of trouble--a huge
amount of discord in the world and I think people need to focus on that
sometimes, not overly, but they really do need to think of it from time
to time.”
Paul's influences include Tom Thomson because “he was the one thinking
outside the box. He wasn't afraid to do different things.” Paul attended
Tom Thomson: The Man, The Myth,
The Mystery exhibit at the Art Gallery of Ontario and found
himself drawn to the original pieces that Thomson painted in the bush.
“The little pieces are more. They are not as refined. They are not as
gentile, but there is much more emotion in those than in the other ones
and it's the emotion of the moment. It's always hard, I think, for an
artist to go from that vision and take it back to the studio and recreate
the same feeling. You can get close, but I don't think you can get exactly
there.”
Other influences include self-taught Scottish artist Jack Vettriano
who has the current distinction that his paintings The Singing Butler
and Mad Dogs were the two best-selling posters in Britain. This
is quite an achievement for an artist whose first work sold in 1988
when he was 36. Another favorite of Paul Gilroy is the American, Charles
Reiffel who is perhaps best known for his modernist landscapes.
Paul believes he was an artist from birth. He doesn't believe one becomes
an artist the way one becomes an engineer. “I don't necessarily think
you have to go to school to become an artist. You can go to school to
improve your technique but you can't go to school to become an artist.
I think everybody has some artist in them. How it comes out it's hard
to say. Some people paint, some people write, some people draw, some
people act, some people make films, and I think it's up to each of us
to find our own way and our own space with art--and for me I had it
when I was very young. I liked art. I was always making things, painting
stuff--that's what I did."
Paul continues, "Buying art, collecting art, to me that side of
things is just as important as producing art yourself. You know, if
you want artists to be vibrant and continue to pursue what they are
doing, you need to support that. And I'm not a tremendously wealthy
person ... but I do spend a portion of my income collecting original
pieces of art and I enjoy that as much as producing art. I like to have
a little piece of somebody else in my home that's important.”
Paul happily discussed the other two artists exhibited in Thus
Far.
Andrew Wong
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Andrew Wong
Blue Chrysanthemum
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Andrew included a series of acrylic on canvas paintings in Thus
Far. Blue Chrysanthemum uses a contrast of dark and
light blues. This contrasting is the linchpin of the series. As
Paul explains “There are five pieces in the series. It's a theme
of night and day, good and evil. ... How often [in] the mirror image
the dark side and the light side is really the mirror image of the
same thing.”
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Paul's personal favorite of Andrew's contributions to the exhibit
is Foggy Lake, a surprise to Paul.
The work reminds Paul of Muskoka, which is odd considering “Andrew
is not a Northern Ontario kind of person and it's a very Northern
Ontario kind of painting to my feeling.” Andrew is actually from
Taiwan. |

Andrew Wong
Foggy Lake
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Andrew Wong
Red Rose
Clay Mullen
“Clay paints in oil on anything that will stand still long enough basically”
is how Paul describes the final artist included in Thus Far.
Clay's work in the show includes acrylic on copper. Clay's grandfather
worked in electronics and some of the copper circuit boards were given
to Clay, who uses them for his artwork.
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Title: Coffee Buzz
Artist: Clay Mullen
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Clay's other career is demonstrated in the piece
Coffee Buzz which looks at the effect and meaning coffee
has in our society. Paul discusses the coffee culture reflected
within Coffee Buzz noting that artist Clay Mullen “works
at Starbucks and Coffee Buzz is his satiric look at the coffee
culture and what effect and meaning coffee has in our society.
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How important it is to some people-- like some people their day isn't started
until they've had so many coffees or coffee type drinks. It's… a very
fun light hearted painting.” Paul adds "[Clay] doesn't take too many
things too seriously he's a very light hearted easy-going sort of guy
and I think that comes through in his work.”
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Clay Mullen
No. 9
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No. 9, a piece also by Clay Mullen is painted
on the back of a drawer and it's dovetailed at both ends of the
wood. Paul considers the work to be a self-portrait but hasn't managed
to receive any confirmation from Clay. The whimsical work is of
a fellow with a cat, and a heart in his hand as opposed to on his
sleeve and over the figure's head is a crooked halo. Paul featured
this piece on the postcard used to announce the Thus Far
Exhibition. |
Thus Far closed on July 25th, 2003. The gallery is now
temporarily closed for renovations and a brand new look.
Three Fishes Designs and Gallery is located at 750B Queen Street East
Toronto. It is within walking distance of Gallery 888 another Riverdale
gallery which is located at 888 Queen St. East. Hours for both galleries
are available on their web sites. Artists interested in exhibiting at
Three Fishes Designs and Gallery should contact Paul Gilroy.
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